On a sufficient acquaintance with the work this would probably have revealed the essential nature of the instrument to a hearer unacquainted with technicalities, and revealed it rather as a characteristic than as a limitation.
In pieces such as Liszt's Poemes symphoniques, Ce qu'on entend sur la montagne (1848-1856), after a poem by Victor Hugo, and Die Ideale (1853-1857), after a poem by Schiller, the hearer is bewildered by a series of startling orchestral effects which succeed one another apparently without rhyme or
hearer kiejtés jelentése, szinonimák, antonímák, fordítások, mondat, illetve több